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Ding 'Em Hard
by Lee Kolozsy
The all time class act in the art of
Circus Sideshow motivational presentation ( the PITCH ) I
encountered at an early age nearly a half century ago. My Dad was
an unrecognized genius in the world of entertainment, a Master
Showman now remembered for all the wrong things. There are many
terrific stories about his adventures in showbiz, this is not one
of them, however if not for him I wouldn't have this story to
tell.
In the early sixties he managed to support a family of four
working full time in show business. He had developed an act for
every market. He had several acts for the circus, high riggings
for the fairs and parks, other acts for night clubs, even strange
illusions for the carnival sideshow. That's where I ran into this
gem...
This was the William T. Collins Shows, way before it became the
Murphy Bros. Exposition, as a matter of fact both Jim and Jerry
were working in the flat store for Don Pierson. The good old days
when you could make any play you were big enough and bad enough to
get away with.
Inside the dusty ragged khaki yellow push pole top behind a ten
section wooden banner line with the usual stock O-Henry banners
that could apply to almost any act the ten in one was in full
swing. The crowd was so big that four of the six stages were
tipped up. This was the traditional setup where the bally talker
turned the tip and the crowd moved from stage to stage till they
got to the blowoff. As in many aspects of real life, the blowoff
is what this is all about.
The last stage in the lineup had on it only an enormous
overstuffed chair. A grizzled old lecturer who spoke like a PHD (
pretty heavy drinker ? ) took the stage and with eloquent
hyperbole brought on the fat lady.
There was a buzz as the crowd made the
usual comments as the fat lady waddled out from behind a curtain
and
took her place in the massive chair. and the lecture went...
" JOLLY DOLLY, SO BIG SO HUGE, IT TAKES SIX MEN TO HUG HER AND A
BOX CAR TO LUG HER, AND WHEN SHE LAUGHS SHE SHAKES LIKE JELLY AND
YOU KNOW IT'S JELLY CAUSE JAM DON'T SHAKE THAT WAY. ALL THAT MEAT
AND NO POTATOES, FELLA'S HERE'S THE GAL YOU WANNA MARRY, YOU'LL
GET PLENTY OF WARMTH IN THE WINTER AND PLENTY OF SHADE IN THE
SUMMER, SIX HUNDRED AND SIXTY SIX POUNDS AND GETTING BIGGER BY THE
DAY.
THANK YOU VERY MUCH AT THIS TIME THE
MANAGEMENT HAS ASKED ME TO ANNOUNCE THAT A SPECIAL ACT ESPECIALLY
FOR THE LADIES AND THE YOUNGSTERS WILL BE APPEARING ON THE GREEN
STAGE AT THE OTHER END OF THE TENTED THEATRE ALL THE GENTLEMEN
OVER THE AGE OF EIGHTEEN ARE INVITED TO STAY FOR A SPECIAL PORTION
OF THIS PERFORMANCE WHERE THE FAT LADY WILL GIVE YOU THE
OPPORTUNITY TO SEE A VERY UNUSUAL ANATOMICAL ABNORMALITY. NOW
THIS I REPEAT IS ONLY FOR THE GENTLEMEN BETWEEN THE AGES OF
EIGHTEEN TO EIGHTY, BECAUSE IF YOU'RE UNDER EIGHTEEN YOU WON'T
UNDERSTAND IT, AND IF YOU'RE OVER EIGHTY YOU PROBABLY CAN'T STAND
IT!
As soon as the women and children had moved on to watch the
magician pitching the mouse on the green stage, the old lecturer
put down the scratchy mike and with a two handed gesture
indicating move in closer he bent down over there heads and with a
conspiritorial intimacy he said...
"O.K. BOYS, THIS IS HOW IT WORKS. THE FAT LADY IS GONNA GO BEHIND
THE CURTAIN AND ANY OF YOU WHO WANNA GO WITH HER CAN GIVE ME A
DOLLAR AND FOLLOW ALONG. SHE'S GONNA SIT IN A CHAIR, SHE'S GONNA
LIFT UP HER DRESS, SHE'S GONNA SPREAD HER LEGS, AND SHE'S GONNA
SHOW YOU HER PUSSY. WHO'S GOING WITH HER ?"
Well those farm boys all but broke their wrists pulling dollars
from their pockets and pretty soon all but a few who were
desperately begging their good time buddies for a loan were behind
the curtain. And now for the blow off...
The fat lady sat in creaking wooden folding chair in the corner of
the annex and spread her massive thighs as far as they would go,
then she raised her skirt just above the knee, and with her finger
she pointed to a tiny black cat tattooed on the inside of her
thigh just above the knee and said " Look at my pussy boys, look
all you want!"
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