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Baby Shows, Pickled Punks &
Bouncers
I read a story about baby shows
(pickled punks and bouncers). I was wondering if you could give
me any history of the baby shows, where they came from and who
invented or where did the two headed baby or even pickled
punks/bouncers begin in the sideshow world. Charlie
Waite, Columbus Missouri
Charlie, let me start by defining what each of these things are.
Baby
Show: Also known as 'unborn,' 'life,' 'bottle,' 'freak baby' and
'pickled punk show. These were shows where unborn babies with
deformities were exhibited. There were also show that exhibited
the different stages of a fetus. If they were real babies or
fetuses the carny term is Pickled Punk. If they were gaff or made
by the showmen they are called bouncers.
Pickled Punks: A carny term, never used in front of the general
public, describing deformed fetuses preserved in formaldehyde.
These were prime exhibit material. Often faked, and often
presented as human, animal, "What Is It?", or even "alien" fetuses
- very often as the deformed offspring of crazed degenerate drug
addicts.
Bouncer:
A rubber reproduction of a pickled punk. There were any number of
reasons for using reproductions instead of genuine specimens
including local legal restrictions and easier availability.
Lou Dufour is known as the King or
Father of the Unborn shows. When Lou was in Washington D.C. he
thought Capital grounds would be a terrific spot to set his
carnival up. He secured a contact with the American Legion and
got written permission to use a section of grounds for two week in
April 1921. The Legionnaires were delighted with the results and
signed him for another date in the future. During his engagement
Lou decided to visit the Smithsonian Institution. The buildings
were nearly deserted, but a small group of spectators was gathered
around a collection of embryos and fetuses. They appeared to be
entranced with the display. So was Lou. That night at dinner Lou
told himself there must be something to it, a museum with exhibits
spanning all of science and art, and people standing in line to
see an exhibit of human specimens. "If I wasn't tied to a
carnival, I reckoned, I'd build a special show of those things and
it would probably be a winner." Lou said.
It had been seven years
since Lou had seen the collection of human embryos at the
Smithsonian Institution in Washington, D.C. As a concessionaire in
1927 something triggered his memory he thought of all those
people standing enraptured before the display cases. Lou was
thirty-two years old and by that time, a seasoned showman. The
place was Shreveport, Louisiana, where a lineup of people was
spotted waiting to enter a tent where Dr. Albert Jones was
exhibiting a collection of twenty human specimens at the local
fair. He was a local doctor with a good practice and no desire to
enter show business. Lou studied his operation and related it to
his Smithsonian incident, and decided this was "it." After several
days of persuasion, the
doctor
relented and sold him the collection.
It was named the "Unborn" and added several
biological exhibits, it opened with the Johnny J. Jones Shows in
Largo, Fla., in early 1928. After the show had move to Fort Myers,
Florida Lou received an excited call one morning from the fair
manager. He had to get over to the grounds at once, to the
exhibit. Without getting an explanation, he hurried down. The
reason was the quartet of Henry Ford, Thomas Edison, Harvey
Firestone, and a Dr. Goodman, who had come to see the "Unborn"
Show. Lou opened the show and made the pitch for them. When they
expressed approval and enthusiasm He knew he really had something
with his assortment of human embryos.
Edison was deaf so Lou hollered into his
old-fashioned horn that he held to his ear. I asked what impelled
them to come so early in the day, and Edison explained, "Last
night I had these gentlemen to my home as dinner guests and all my
wife could talk about was your exhibit. We decided to see for
ourselves - and I'm glad we came. . . ."
It took a full day until Lou realized what
he had under his control. If men of above - average intelligence
would go to a dusty fairgrounds for the experience, it had to be
worthwhile.
The Unborn was an instant success, he had a
gold mine in his back yard. By 1929 the Unborn had been exhibited
in White City Park and Overview Park in Chicago, and with the
Johnny J. Jones, and many other shows.
Ward Hall tells
about one of his experiences, "On that circus somebody had left
and they were short an act on that circus program. I went to Bob
Steven and said Bob I will do the act for you I will do the
juggling act for you. You don’t have to pay me but I want a
privilege, he said what is it? I said I want to put a two headed
baby as a second blowoff in the sideshow. I will give you twenty
five percent. He said OK fine. That was good I had the blow off
booked but the problem was I didn’t have a two headed baby so I
went down town and found a dime store of something and bought two
rubber dolls, I cut the head off of one and glued it on to the
other one put a piece of tape over the whistle in the back it said
momma when you squeezed it painted it brown. I found a Tom’s
peanut jar in a restaurant. I said how about selling me the
peanut jar? I think they sold it to me for about ten dollars.
When we put the baby in it we just turned it so that Tom’s
lettering was on the opposite side filled it full of water and put
some tea in it so it would be to clear. We stuck the thing in
there, I made an opening about this little two headed baby. We
took denotations. It worked very well and I also was performing
at the big show. The next year the man that owned Seal Brother’s
Circus his son Norman Anderson was going to cut the show down some
what I think we got it down to eight or nine truck from fourteen
or fifteen. He wanted us to come over and run the sideshow. We
went to Venice California that’s where the winter quarter’s were.
We went out there and helped him re-frame the show. The day the
show opened it was the same thing happened, there was a family
coming out one of them was juggling, one of them something else
and the other was going to be the announcer. So here came the
opportunity so I said Norman I have a deal for you I will announce
the show I will do the juggling act and I will do the balancing
act on the ladder and in exchange you don’t have to pay me
anything, I just what to have the blowoff with the two headed baby
in the sideshow. Over the course of the winter I had found a wax
studio, they made me a real good looking two headed baby. I put
it in a good medical jar. The year before when I had that real
phony one Bob Stevens thought it was just great. Anytime a
visiting showmen would come around he would tell them you got to
see this. This is the best three dollar and seventy cent
investment that has ever been done in the sideshow business or the
circus business."
Capt. Boswell operated just about
every type of sideshow, grind and pit show in the business. For
many years he operated live wild and freak animal shows. After he
finished touring with his animal shows, he started and ran the
second largest exhibitor of Pickled Punks in the business right
behind Lou Dufour, The King of the Unborn Shows. Pickled Punks
were still born oddities and carnies would use the term, (but
never in front of the general public) in describing deformed
fetuses preserved in formaldehyde. These were prime exhibit
material. Often faked, and often presented as human, animal, "What
Is It?", or even "alien" fetuses very often as the deformed
offspring of crazed degenerate drug addicts, they were displayed
in large jars. After 17 years he decided that he would no longer
run the punk shows because there was a lot of controversy over the
exhibition of human remains and freaks. So these shows went the
way of the Old Iron Lung, Geek, Posing, Torture, Dope, Crime and
many others shows you no longer see on American Midways.
Bobby Reynolds is another showman that had
success adding a baby show. Other showmen have exhibited pickled
punks and bouncers over the years. - John Robinson Sideshow
World
Information
and assistance provide by Ward Hall
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