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Takeshi
Yamada with his 4-feet long Fiji Mermaid and other circus
sideshow gaffs at the opening
reception of the spring fine art group exhibition at the
Brooklyn Waterfront Artists Coalition Gallery
in Red
Hook area of Brooklyn, New York on May 13, 2006.
(photograph by Eriko N. Bond)
This
article features subject matter such as Loro Kidul,
P.T. Barnum’s Fiji mermaid,
mermaids in circus sideshow banners,
circus
sideshow gaffs artists, and manatee in
New York
City.
In
Japan,
most of the Ningyo are female human-size
humanoid-fish with attractive face and long black hairs.
Nigyo has been featured in many reputable ancient
documents including Nihonshoki (Historical Record of
Japan, which is an equivalent to Old Testament to Shintoism
(Japanese government-supported national religion). This
animal is believed to bring good and happiness to people.
The statures of Ningyo can be found and worshiped by
people at Shinto Shrines and Buddhist temples throughout
Japan. It is called Ningyo Shinko (Mermaid religion).
Japan is not
an only country who considered the mermaid as religious
deity. Nyai Loro Kidul ("Queen of the South," also known as
Kangjeng Ratu Kidul) is a Javanese goddess of the South Sea,
often illustrated as a mermaid. She has many different
names, which reflect the diverse stories of origin. Her
figure is also featured in varieties of forms. The country
of Java is also known for a large production of this divine
humanoid sea creature. In fact, production of quality
mummified mermaid (in regular bases) was absolute necessity
among people there for many centuries to conduct their
religious rituals. For them, the mummified humanoid sea
monster figure is not an artwork for displaying their
personal wealth or an item of luxury which serves no
practical purposes. For them, this half-human, half-fish
creature composed of monkey and fish elements is a
dignified, spiritual, and powerful embodiment of their
religious faith. It was used in serious religious rituals
with deep reverence and intended to bring large catches to
Javanese fishermen. Pelabuhan Ratu, a city in West Java,
celebrates an annual holiday in her honor on April 6 (1 Suro
in the Javanese calendar) even today. She is also associated
with Parangtritis and Pangandaran. Their humanoid fish is
sometimes rendered as mummified ugly aged monstrous creature
with all white hairs on its head and shoulders with
well-defined rib cage and long sharp nails.
I have no
information regarding whether P.T. Barnum obtained the
cultural significance of the humanoid-fish when he purchased
it from
Asia. If he
knew about it, his sales pitch and newspaper advertisements
might have become quite different as we know today. (Who
knows he might have done the exactly same to just make
money, just like the art dealer of renowned 20th century
artist, Jasper Jones who sold a replica of an aluminum beer
can by the artist with outrageous price and sales pitch by
declaring it is a great art.)

P.T.
Barnum and his advertisement of show of curiosities
including “Fejee Mermaid” in 1842.
What
people saw in another newspaper advertisement (Charleston
Courier, January 1843)
and the
drawing of what they actually saw at the circus sideshow of
P.T. Barnum in 1842.
Technically speaking, in
Indonesia, the Fiji mermaid resembles the ones collected by
P.T. Barnum were traditionally created by sawing monkey
head, baby orangutan torso, and tail of a fish together.
They are made of 100% pure animals (except man-made
materials stuffed inside), so, it is 100% pure taxidermy.
Nevertheless, as they do not represent any “real” creatures,
they have NO scientific value at all. For this reason, some
professional taxidermists even refer the Fiji mermaid made
of 100% animals as “artwork” and NOT “real taxidermy”. (Many
gift shops categorized them as “novelty taxidermies”.) In
this case, as I explained before, what it is made of is not
the vital matter in today’s taxidermy. I would personally
consider such specimen/artifact as “creative taxidermy”,
“artistic taxidermy” or “circus sideshow taxidermy”,
although there are no official names to call it in any
taxidermy books written by the hands of seasoned
professional taxidermists.
Examples
of circus sideshow banners featuring the
Fiji
mermaid. The mermaid in the circus
sideshow
banner is always featured as a alive (often very
attractive-looking) humanoid female
creature
with a large pair of breasts posing at the beautiful
tropical seashore. They were never
featured
as ugly, mummified carcass often encased in the old wooden
or glass display case.
I saw numerous Fiji
Mermaids (all mummified ones) in person before I created my
own version of this monstrous creature. I saw a series of
high quality Fiji mermaids hung from the ceiling – some are
quite large (about 4 feet long) and others are smaller - for
public display at a large gift shop which also host free
museum of curiosities by the waterfront of downtown Seattle,
Washington. It is “Ye Olde Curiosity Shoppe”. Those Fiji
mermaids had very dark dried and wrinkled skins and very
long black hairs. One of them was about 4 feet long. It is
so unusual to see such a large size Fiji mermaids (with such
an excellent craftsmanship) even among the discriminating
collectors of curiosities. Those magnificent Fiji mermaids
were not what they had. In addition to those masterfully
created gaffs, they also had life-size breath-taking
Egyptian mummies, shrunken human heads. These were displayed
inside of a large display glass cases in such a dignified
and inspirational manner. How you display is also very
important to what you display. Good artworks/artifacts
deserve good display. I was also deeply inspired by variety
of pickled deformed animals (pigs and cats). They also had
variety of artifacts of unknown origins. For example, they
had an elegant bone with beautiful lace-pattern, which had a
tag saying “what is this?” These displays are in large glass
cases all around the store and I spent over 2 hours just
adored them. For me, these are much better artworks than any
pieces which are proudly displayed at modern art museums
sponsored by the government by using tax payers’ blood money
today. I felt those mysterious artifacts, specimens and
gaffs are shinning even more today – just like those sublime
marble statures of Greek Goddess created by the humble hands
of nameless ancient artists/craftsmen. I was truly
impressed, delighted and felt honored to see them. This is a
place I highly recommend for anyone to go to see these
magnificent collections.

(left)
One of the banners of the Bobby Reynolds’s circus sideshow.
Several very impressive Fiji Mermaids were on display at his
traveling show. (photograph by Takeshi Yamada,
2001)
Other very impressive
Fiji
mermaids, which I remember well were on display at the
traveling circus sideshow tent of the Bobby Reynolds.
Reynolds’ tent show was truly gigantic and palace-like one
with a series of vividly colored masterfully painted giant
circus sideshow banners in front of it. His circus sideshow
used to come to
Coney Island every summer. It is our culture’s greatest loss
that he retired recently. Reynolds was also a great outside
talker. Reynolds not only knew what he had but also knew how
to sell them to marks with such artistry. He was a
masterpiece and genius. Reynolds had two Fiji mermaids on
display. Each was about 18 inch. Apparently, they all used
dried fish for their lower bodies and mummified monkey body
for their upper bodies. They were all constructed with
impeccable craftsmanship. One of them (the darker one) was
especially impressive and proudly displayed in a glass
display case, and I felt as if it was radiating the aura of
mystery of life. Great artworks, whether it was created by
the nature or humans, has high spirituality to move human
soul. This monster’s face was that of an agony and pain yet
full of nobility and pureness. It was the genius of the
artist who created it. This gorgeous mummified Fiji mermaid
was almost identical-looking to the one owned and shown by
P.T. Barnum.
Naturally, not all the
Fiji
mermaids I saw in person were in good quality. I also saw
very poorly made
Fiji mermaid on display at a small Ten-in-one circus
sideshow place in Coney Island area of Brooklyn,
New York in 2001.
The very poorly made 6th-grade-level doll was formed with
wrinkled brown shopping bag. This is a government-funded
very poorly operated company, which was evicted for its rent
delinquency by the judge’s order at the
New York Civil Court
for long time ago. They are completely financially broke
sideshow company. I know great deal about the criminal and
illegal operations of this sideshow company in Coney Island
told by the lawyers who actually handled the court case. The
despicable criminal owner of this sideshow store, even
today, dares to call himself “Mayor of Coney Island”. Poorly
made Fiji mermaid at the poorly run sideshow company. Birds
of a feather flock together.
In America, there are many
noteworthy gaff artists who have been creating
Fiji
mermaids (or humanoid monsters) for circus sideshow
companies and collectors of curiosities for many decades.
Due to the nature of this business of circus sideshow, there
are many remarkable and ingenious gaffs created by unknown
artists. For me, in many ways, they are the true heroes and
heroines worked so hard behind the stage to make this
business keep alive and even successful. The artists I
feature in this portion of my manuscript are ones who worked
in the world of circus sideshow business consistently at
least for a few decades as paid workers (professionals). I
intentionally did not choose artists who has been creating
Fiji mermaids who
simply sell them at commercial galleries and internet –
there are many artists doing that today, and I will write
about them in another occasion. Personally, speaking, I,
Takeshi Yamada, have been professionally making circus
sideshow gaffs and banners for circus sideshow companies and
amusement parks since 1985. I, personally, also produced
numerous tent shows and store shows in addition to gallery
shows at commercial galleries, museums, and nature centers.
This will be featured in the article in Part 3.
At this point, I want to
feature three giants of traditional circus sideshow gaff
builders - Mark Frierson, Homer Tate, and Doug Higley.
Frierson is truly a giant in circus sideshow business, and
he once even owned the circus sideshow of his own. He is a
very prolific and excellent gaff builder with wide range of
subject matters. He also created many taxidermy monsters by
using body parts of real animals. I consider that he is
quite gifted and inspirational. He is also knows for his
fabulous circus sideshow banners commissioned by many circus
sideshow companies. Tate is an artist who created his
signature gaff called “Pygmy Mud People” and reached his
creative peak in 1940’s and 50’s. His creations are
primitive, mysterious and more “artistic” – they look like
crude cult dolls created by primitive humans in the ancient
civilizations. He did not create any taxidermy gaffs. I saw
his “Pygmy Mud Person” in a shadow box at
Museum of World Oddities in
2004. Higley calls himself “prop artist”. He
began creating gaffs for
circus sideshow companies after being inspired by the
creations of Tate. He also has a signature style of
creatures with slug-like texture and deformed soft body
whether they are Fiji mermaids, Atomic Fish (deformed fish
create by nuclear radiation), Shrunken Human Heads, or
monkeys’ paws.
According to my internet
google image search, it appeared that people are more
interested in mermaid than merman as I expected.
Nevertheless, what stroke me was the numbers of search
result by each word. Specifically, I found 8,470 images of
“merman” but 286,000 images of “mermaid”. I consider this
fact may reflect unique and distinctive aspect of human
psychology, which needs to be investigated. Needless to say,
in the ancient time, fishermen on the boats/ships were all
males.

Manatee
It is widely believed that
mermaids which ancient mariners and sailors claimed to have
seen were actually manatees.
Manatees
(Trichechus manatus)
are large
aquatic mammals sometimes known as sea cows because they eat
most of the day (they eat 10 to 15 percent of their body
weight every day). Biologically, speaking, this animal’s
closest cousin in the animal kingdom is actually the
elephant. They can weigh anywhere from 500 to 1000 kg. They
are slow moving, non-aggressive, and generally curious
creatures. They are herbivores, may
spend up to ten hours a day
eating.
They pig out on aquatic plants like turtle grass, water
lettuce, shoal grass and water hyacinth. Manatees inhabit
the shallow, marshy coastal areas and rivers of the
Caribbean Sea and the Gulf of Mexico (T. manatus,
West Indian manatee), the Amazon basin (T. inunguis,
Amazonian manatee), and West Africa (T. senegalensis,
African manatee).
About 61% of the reported dead manatees are due to natural
causes. The number one killer of this creature is the
exposure to cold waters; if the water temperature drops
below 68 degrees for a prolonged time the manatees cannot
survive. Manatees
are an endangered marine mammal. Florida wildlife experts
counted 3,116 in their annual survey in February.
I am very
happy to inform readers at this point that many sighting of
manatees in
Hudson River
here in New York City were reported this month, August of
2006. Specifically, the monstrous giant sea animal has been
spotted at 23rd Street near Chelsea Piers, West 125th Street
in New York City, and later in Westchester County. Manatees
have been reported along the shores of Long Island and even
as far north as
Rhode Island.
However, It is extremely unusual, for a manatee to be
spotted inland in a river this far north. According to the
news reports, internet searches of
"Manatee" climbed up over
7,000% after news stories began spotlighting the aquatic
beast's summer vacation to the Big Apple.
Numerous stories on this
magnificent creature were published in this city but nobody
has claimed seeing mermaids yet.
I, Takeshi Yamada, am happy
to add manatee as new monster to my long list of monstrous
animals of this monstrous city, New York City. Examples of
them are the horseshoe crab (living fossil outlived
dinosaurs. The most valuable creature on this planet to save
human life with its blue color blood), colonies of wild
green parrots with spectacular woven nests in Brooklyn (free
public tour availableevery month), Asian Longhorned Beetle
(discovered in Greenpoint area of Brooklyn
New York. Spreading
New York state Quarantine Zone for its terror and
destruction), the gigantic corpse flower at the Brooklyn
Botanic Garden
(revolting smell of putrefying meat - real smell of death)
etc.
(Continue to Part 3)
All rights reserved by
Takeshi Yamada, Museum of World Wonders, Brooklyn, New York,
September 2006.
Special thanks to Eriko N.
Bond, Lauren D. Travis, and Diane M. Taros.
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