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The following photographic-rich article is about documentary
film entitled "World of Wonders" featuring Takeshi Yamada in
Coney Island. The manuscript was produced by Dr. Eriko N. Bond,
noted art critic and book author in New York City, as told by
Takeshi Yamada. Photographs featured in this article were taken
Michael Rossetti and his film crew.
Michael
Rossetti's Film
On
Takeshi Yamada
Video Documentary
On December 2006 and January 2007, Takeshi Yamada was filmed
by the crew of Michael Rossetti for his documentary film. Film
was shot at Yamada's private museum ("Museum of World Wonders"),
Coney Island Beach, and Coney Island Canal in Brooklyn, New
York. The following are still shots from Rossetti's documentary
film.

"If it looks like it was done
by the hands of the artist, it is failure. The final artwork
must look like created by the hands of the Mother Nature alone.
To produce this form of artworks, you have to be completely
selfless, fearless and desire less, just like a seasoned
Japanese samurai warrior at the battle.", Yamada says.

Yamada at
work on his 31-feet giant sea serpent by the window, facing the
Coney Island Beach.

Yamada's Sea Rabbit always
produces a large gathering of people.

Yamada's beach walking is for
collecting "Beach Kills" and entertaining people with his Sea
Rabbit.

The sublime solitude of Coney
Island Beach and Coney Island Canal in the winter months.

The Historical Parachute Jump Tower at the Coney Island Beach
quietly watches over Yamada.
A
Short Moment with Rossetti
When and how did you become interested in film?
When I was in high school I did a lot
of photography; then during my junior year one of our teachers
invested a lot of his own money to set up a digital media
class. Since it was brand new he didn't have much of a
curriculum and basically let us experiment and do anything we
wanted as long as we were working. All the equipment was brand
new, state-of-the-art pro-sumer digital video equipment so my
friends and I just had fun making films and learning all this
high-tech equipment. During our senior year, two close friends
and I decided to make a ?real? short film ? by which we meant
something more than a 5 minute inside joke. So for months we
made this little film ? we wrote it, acted in it, directed it
and shot it all ourselves. At the end we submitted it to a
festival, thinking we would never hear from them, but we ended
up winning the festival. When I went to the screening and heard
people laughing and enjoying our film, and when I went up to
receive the award and the money with my best friends, I knew it
this was what I wanted to do for life.
Who is your favorite filmmaker?
I can't really say I have a favorite filmmaker ? the world
of film is so varied. But I like Werner Herzog, Tsai
Ming-Liang, Wan Kar-Wai, Mikhail Kalatozov, Andrew Bujalski, to
name a few.
What do you think of Coney Island?
I had heard of Coney Island before I came to New York, and I
knew of its past as a major amusement park, but when I went
there for the first time last summer it seemed to me that it had
seen better days, and that the area was trying to hold on to a
little of its lighthearted and fun-filled past. When I was
shooting the film, Mr. Yamada took us to Coney Island Creek,
which I found kind of sad because it was extremely polluted and
there was garbage everywhere.
What inspired you to make a documentary on Takeshi Yamada?
I was assigned to do a short documentary for school and was
on the lookout for potential subjects when I first read about
him in an article in the Village Voice. The article was short
and kind of unclear about who he was and what exactly he did,
but I knew he seemed interesting. I think having gone to Coney
Island over the summer and experiencing the duality that exists
there ? a rich history of amusement and fun among urban decay ?
Mr. Yamada seemed like the embodiment of Coney Island's history
and potential. I came to New York with the very common view
that the city was fully of eccentrics, and when I first read
about him he perfectly fit my concept. But of course I learned
that he is much more than an eccentric artist.
What do you think of Yamada and his artworks?
I think they're great, honestly. The quality of the work is
really good and everything looks realistic. In some of the
interviews that we filmed (which don't appear in the current
version of the film), Mr. Yamada made some interesting points
about his work, with which I fully agree: people are simply
curious about the world, and nature is not always kind or
beautiful. It can be harsh and brutal, and seeing and
experiencing this side of nature is part of life ? which is why
people did (and still do) attend sideshows. His work taps into
that side of human nature and satisfies something primordial in
us. Then again, on another level, it's just fun to imagine that
these fantastic creatures really do exist.
Are you planning more films about Coney Island and sideshow
artists and performers?
At the moment I have several other projects in the works,
but over the summer I would like to film a little more in that
area. After this summer Coney Island will be a very different
place, and part of our job as filmmakers or, more specifically,
as documentarians, is to capture the life, thoughts, opinions,
etc. of a certain place, time or people.
What was your goal in making the film?
When I first started filming, all I knew was that I wanted
it to be about Mr. Yamada and his outrageous artworks. But
after I finished filming and started editing a lot of new ideas
came to me. In the footage he talked a lot about the history of
sideshows, human nature, biology, taxidermy, but what always
struck me was his interaction with the people in the community
when he took his sea-rabbit out for a walk, so I focused on
that. The way that people open up, smile and laugh when they
encounter Mr. Yamada and his sea-rabbit is really incredible. I
think it says a lot about the community, about Coney Island's
history, imagination, and human nature.
What kinds of films would you like to make in the future?
I really would like to make all kinds of films, but a friend
of mine who is from Ethiopia is trying to develop more of a film
industry there and I would like to work with him on that.
Media Coverage

CINECITY, newspaper, February 2007 issue, page 3
Reference:
Michael Rossetti's film ?World Wonders? will be shown at the
Coney Island Library on the occasion of the new public art
lecture by Takeshi Yamada on October 30, 2007 (4 ? 5pm).
Rossetti is also planning to make a short public presentation on
this occasion. His expanded version of ?World Wonders? film is
scheduled to be shown local and international film festivals.
For more information, contact Michael Rossetti at
mwrossetti@gmail.com.
Crew:
Camera: Michael Rossetti and Katy Scoggin
Sound: Ryan Silbert and Laura Yilmaz
Editing: Michael Rossetti
For more information about Takeshi Yamada's sideshow artworks
(including his Sea Rabbit), see following website:
http://sideshowworld.com/SSA-15.html
http://www.roguetaxidermy.com/members_detail.php?id=528
http://takeshi.yamada.brooklynartist.com/
END
All rights reserved by Takeshi Yamada, June 2007. Photographs?
copyright is by Michael Rossetti, March 2007.
Takeshi Yamada's Museum of World Wonders in Coney Island, USA
E-mail:
yamada108@aol.com
Special thanks to Eriko N. Bond, Maremi Kakushina, Michael
Rossetti, Ellen Hymowitz and Deborah Zingale.
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Takeshi Yamada
© 2007
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