The following photograph-packed article is about Giant Snake sideshows as seen at midways of state fairs in the United States. This manuscript was produced by Dr. Eriko N. Bond, noted art critic and New York City author, as told by Takeshi Yamada. Efforts were made to feature giant snakes and giant snake sideshows in a proper perspective in the cultural anthropology and visual anthropology. Takeshi Yamada is one of the most influential and active educators in New York City with several dozens of awards, recognitions and nominations including two “Key to the City” from Mayors, “Who’s Who in America”, “One Thousand Great Americans”, “International Educator of the Year”. He has also taught classes and given public lectures at over 40 educational institutions internationally. Yamada is also a prolific author of article publications including 11 published books, and an artist with over 450 fine art exhibitions with his paintings and sculptures exhibited internationally in Spain, the Netherlands, Canada, Japan and the United States. In addition, rogue taxidermy artworks, sideshow gaffs, large sideshow banners and showfronts created by Yamada in the last 40 years have been exhibited at dozens of state fairs and festivals annually even today around the nation.

 

TAKESHI YAMADA

ON

GIANT SNAKE SHOWS

Coney Island Sideshow and Beyond

Article by Dr. Eriko N. Bond as told by Takeshi Yamada

Chapter 6

 

 

Takeshi Yamada and a gorgeous Brazilian Rainbow Boa.

“Baby Museum” of Dr. Takeshi Yamada at Dreamland Amusement Park in Coney Island, Brooklyn, New York.

(July 15, 2009)

 

 

In many nations, just as images of their God and religious leaders have been displayed in public places proudly, the images of divine snakes have been also displayed in a like manner. This religious culture of “public displays”, exhibitions” or “shows” of giant snakes, divine snakes, sacred snakes and snake gods has a very long history on this planet. In fact, this may well be the original and the longest-running “Greatest Giant Snake Show on the Earth”, Takeshi Yamada states. For this reason, following chapters featured major shows of such divine snakes at major nations. 

 

This chapter features snake gods in Japan. Some of the snake gods were imported from foreign nations and other snake gods were originated in Japan. For more information about human-headed and snake-bodied god and goddess such as Ugajin and Benzaiten in Japan, see an article entitled Takeshi Yamada on Snake Girls: Japanese Misemono, American Sideshow, and Beyond written by this author as told by Takeshi Yamada.

 

 

Shows of Snake Gods (Part 5)

 

Shows of Snake Gods

Example #7: Snake Gods in Japan

 

There are two kinds of snake deities in Japan traditionally. One is Benzaiten (Benten) and another is Ugajin.

 

Takeshi Yamada was born and raised in Osaka, Japan. He moved to the United States as an international exchange student in 1983. For his unparalleled high artistic achievements and distinguished academic excellence, Yamada was the only student selected from over a dozen applicants from the Osaka University of Arts in Osaka, Japan. Shortly after the completion of his Master degree and teaching art classes for two years at University of Michigan, with his achievements in fine art, Yamada was granted  citizenship in the United States. This chapter owes his personal experience and comprehensive research about unique and distinctive traditional Japanese culture and religious rituals and ways as seen from the perspective of a son of the respectable house of samurai warriors. Samurai warriors and its military government ruled Japan during 1192 and 1868. Many common and popular culture and religious rituals enjoyed by most of the general population in Japan today were first popularized among small numbers of Koushitsu (Imperial house), Kuge (clan of court noble), and Buke (clan of samurai warrior) historically.     

 

 

(left) Benzaiten by Utagawa Kunisada, wood block print, 1860.

 (right) Wooden Statue of Benzaiten presented in the Buddhism style

Note Benten crowns a white snake on her head.

 

Benzaiten with Biwa (Japanese lute)

http://www2.osk.3web.ne.jp/~sinpukuj/sakuhin/benzai%20w.html

 

 

Benzaiten is a Goddess but she has been  also rendered in full nudity and partial nudity in Japan. 

(left) Benzaiten (Kamakura. Enoshima Seven Lucky Gods. Enoshima Jinja, Shinto shrine)

弁財天 (鎌倉江ノ島七福神 江島神社)

Hadaka Benten or Naked Benten

http://park1.wakwak.com/~hisamaro/7best.htm

(right) Benzaiten. Nagoya city, Tougenji Buddhist temple. Nemuri Benten or Sleeping Benten

弁財天 (名古屋市 桃厳寺のねむり弁天)

http://park1.wakwak.com/~hisamaro/7best.htm

 

In Japan, Benzaiten (Benten, Benten-sama, Benten-san, Benzaiten, Benzaiten-sama, Benzaiten-san) is rendered with divine white snake, or white snake crown on her head.

 

Benzaiten (弁才天, 弁財天) is the Japanese name for the Hindu goddess Saraswati; there was an important river in ancient India of this name (see Vedic Saraswati River). Worship of Benzaiten arrived in Japan during the 6th through 8th centuries, mainly via the Chinese translations of the Sutra of Golden Light of Buddhism, which has a section devoted to her. She is also mentioned in the Lotus Sutra of Buddhism. She is often depicted holding a biwa, which is a traditional Japanese lute.

 

Benzaiten is originally the Goddess of things which flow such as music, poetry, art, the sea, and protector of children. The Chinese pictogram of means talents, and means assets/money, and these two words are pronounced the same “zai” in Japanese. Thus she also became the Goddess of financial success in Japan by changing the Chinese pictogram from to.

 

Benten is often portrayed as a beautiful woman, and she was even curved in wood with full nude to show her glorious feminine body, which is very unusual even in Buddhism in Japan. When Benzaiten is rendered in very classical Buddhism statues, she has eight arms and in her hands she holds a sword, a jewel, a bow, an arrow, a wheel, and a key. Her remaining two hands are joined in prayer. Strangely, Benzaiten is also one of Shinto deity - the sole female among the Shichi-fuku-jin (Seven Lucky Gods) of Japan. At other times, she appears with a sea dragon (Chinese style; embodiment of vitality and good). 

(Ref. http://web.hc.keio.ac.jp/~shnomura/sakuragi.html)

 

One of the most fascinating aspects of Benzaiten, according to Takeshi Yamada, is the wide range of her physical appearance represented in religious sculptures in Buddhism, Shintoism and pagans in Japan, which is absolutely unparalleled to her statues in any other nation. Specifically, when Benzaiten is fused with a local religion worshipping Ugajin (male snake god of harvest), she is  rendered as a seemingly monstrous human-headed and snake bodied deity as shown below.

 

 

Stone statue of Benzaiten displayed for public at Fukujuin in Nakanoshinbashi in Japan.

http://sakaue.vis.ne.jp/sanpo/nakashin/nakashin.benten.html

 

 The photographs shown above is of  a large size stone statue of one of Japanese deities – Benzaiten() or the human-headed snake-bodied  (人頭蛇身. Jintoudashin) Goddess - on display at Fukujuin (福寿院) in Nakanoshinbashi (中野新橋) in Tokyo, Japan.

 

Another snake god is Ugajin. Ugajin is an obscure kami worshiped as a deity of fortune from the early medieval period on in Japan. Fused with the Buddhist deity Benzaiten, this kami became known as Uga Benten, and was also called by the titles Uga Shinnō ("divine-king Uga") and Uga Shinshō ("divine-commander Uga"). This kami's name has been conjectured to derive from the Sanskrit ugaya but most sources suggest that it originated in the tutelary of foodstuffs Uka no mitama as found in Kojiki and Nihongi, and that it was thus originally worshiped as a grain spirit or deity of good fortune.

 

Physically speaking, Ugajin is usually represented with a giant white snake with the head of an old man with well-groomed hair and a long white mustache and beard.

 

Statue of Ugajin enshrined at Shinnouin (a Buddhist Temple) at Kouyasan (Mount Kouya)

(高野山親王院収蔵の宇賀神像)

http://kousyoublog.jp/?eid=1705

 

Ugajin

Ejima Sugiyama Jinja (Shinto shrine) (江島杉山神社)

http://tencoo.fc2web.com/jinja/xsugiyama.htm

 

Ugajin

God of five grains. His face is an old man. His body is a winding white snake forming the Gyoku/Tama (jewelry). 

(五穀を司る神。 顔は老人、体は白蛇で曲りくねって玉の形をしている。)

http://www.myokyoji.or.jp/sub8.html

 

Ugajin (sketch, graphite on paper by Tadami Yamada)

Kanki Tendou at Hiogashi matsuyama City, Saitama prefecture (東松山市歓喜天堂)

http://plaza.rakuten.co.jp/plexus/8009

 

Ugajin. The architecture in the background is Torii (the sacred gate of Shinto shrine)

http://www.butuzou.co.jp/syotenjin/ugashin.html

 

Ugajin at Suzukuma-dera or Suzukuma Buddhist temple (鈴熊寺)

http://www.town.yoshitomi.lg.jp/p/1/9/2/27/3/2/

 

 

Ugajin and descriptions of Ugajin

http://8tagarasu.cocolog-nifty.com/sakamitisannpo/2006/06/index.html

 

Ajigaike Benten (Snake-bodied Benzaiten) (阿字ヶ池弁天)

One of seven Lucky Gods of Hakone (箱根七福神)

http://park1.wakwak.com/~hisamaro/7best.htm

 

Benzaiten (Aizu Seven Gods, Ryuugen-in)

弁財天 (相模七福神 龍源院)

http://park1.wakwak.com/~hisamaro/7best.htm

 

Izumohara Benzaiten, Sano Seven Lucky Gods

(佐野七福神 出流原弁財天)

http://park1.wakwak.com/~hisamaro/7best.htm

 

Statue of Ugajin, 1767

Inokashira park (井の頭公園), Musashino city, Tokyo prefecture

明和四年(1767年)作の「宇賀神」

http://www.geocities.jp/rikwhi/eki_kichijoji/eki_kichijoji.html

 

Note: The photographs shown above are just a small collection available in numerous internet websites. Needless to say, there are many periodicals, magazines, books, television shows and movies featuring them in Japan. There are also modern and contemporary artists who create statues of Ugajin such as Byakudou Mokujiki (木食白道) in Japan. For more information see an article entitled Takeshi Yamada on Snake Girls: Japanese Misemono, American Sideshows, and Beyond by this author as told by Takeshi Yamada.

 

http://homepage3.nifty.com/houjyuen/starthp/subpage06.html

 

Continue to Chapter 7

 

Copyright by Takeshi Yamada, Museum of World Wonders in Coney Island. Yamada Art Center. Brooklyn, New York, 2007. Revised in June 2009, All Rights Reserved.      

E-mail: yamada108@verizon.net

Special thanks to Dr. Eriko N. Bond, Lauren D. Travis, Seara (sea rabbit), Maremi Kakushina and Dr. Abraham Morris.

Also special thanks to Jack Frost (senior proofreader)

http://www.sideshowworld.com/SSA-15.html

http://www.roguetaxidermy.com/members_detail.php?id=528

http://www.horseshoecrab.org/poem/feature/takeshi.html

http://www.brooklynpubliclibrary.org/events/exhibitions/other/worldwonders.jsp

http://www.youtube.com/watch?v=GpVCqEjFXk0

 


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