"DREAM PICTURES"

 

Carrie Lynn Lyons and Mundania Press

 

Now Available from Amazon.com

 

Solomon and Leon Cavanaugh, two starring attractions of a carnival oddities show, interrupt a nefarious plot to wipe out James Weston and his family.

 

Willing to do anything within or outside the law to protect the tiny survivor who climbs from the bullet riddled car, her unusual rescuers hide Jaime Weston in the closed world of the carny as Leon's niece, Jacey Travis. But will all their precautions be enough or will Jaime's survival, and theirs, depend on her own unusual gifts?

 


 

The following was written for Carrie Lynn Lyons, by John Robinson for her novel Dream Pictures.

 

Sideshows have been with us for several hundred years. They have taken many forms, but they have always piqued the public’s curiosity. The odd and unusual has always found an audience: from the Victorian’s cabinets of curiosities to the reality shows we all watch on our televisions; from the dime museums which were the predecessors of today’s modern museums.  People have been drawn to the excitement of the Midway.  The rides, the games, the entertainment: it’s all there. What you see has come from all over the known world and even a few places that no one has ever heard of before.
 
Carnivals and sideshows came to large and small communities alike.  They brought the exotic, the forbidden and the strange; things that most people would have never had the opportunity to see.
 
They provided community for the odd, the drifter, the performer and the showman. When the show came to town, the townies became the marks, the outsiders. It was a way to make a living for a traveling community where everyone was valued, where everyone watched out for each other.  It was a place where the whole group of people could work and make a good living when most of the world had just discarded and viewed them as out casts.
 
Today when most people think of a sideshow they think of the great banner lines, with their larger than life images brightly painted to draw the crowd’s attention.  The Strange, The Unusual, The Fire Eaters, The Electric Chair, The Penguin Boy, The Mule Faced Woman, The Human Blockhead and many, many others.  On the midway we hear the voices from the bally platform or loud speakers screaming out, “It’s here. It’s now. It’s Alive. You can see it on the inside right behind the canvas walls.  Enter now into the great top, which houses the performance and the human abnormalities.” 
 
Even though we are welcome on the midway, we are still strangers to their world.
 
Throughout history, language has helped define who we are.  Every culture and group has a language that defines its members.  That’s true of the carnival sideshow industry.  It’s not a secret language to those that understand, but a language that helps define their community.  It is a language that helps protect them from outsiders and if that language is known, welcomes in those who are “With-it.”
 
As we walk down the midway with all its flashing lights, its sounds and its smells, we travel a path that leads us closer to their world.  We never truly see it, for it lies just beneath the surface.  It’s in the ticket box.  It’s behind the counter of every joint.  It’s in their back yard. Their world is right in front of us, but we can’t see it, we don’t understand it.  It’s inside the canvas tops where the talker stands tall out front on his bally platform giving his spiel to draw us in a little closer; to turn the tip, to take the dollar, but he never completely lets us into his world, where we are not welcomed. 
 
So step right this way. Come in a little closer. You’re about to see the most amazing sights your eyes have ever beheld.  They will shock you.  They will entertain you. You will never forget what you are about to see.  It’s alive on the inside.
 
John Robinson
AKA Utah Showman
Sideshow World
www.sideshowworld.com

 

 

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