Solomon and Leon
Cavanaugh, two starring attractions of a carnival
oddities show, interrupt a nefarious plot to wipe
out James Weston and his family.
Willing to do anything
within or outside the law to protect the tiny
survivor who climbs from the bullet riddled car, her
unusual rescuers hide Jaime Weston in the closed
world of the carny as Leon's niece, Jacey Travis.
But will all their precautions be enough or will
Jaime's survival, and theirs, depend on her own
unusual gifts?
The following was
written for Carrie Lynn Lyons,
by
John Robinson for her novel
Dream Pictures.
Sideshows have been with us for
several hundred years. They have taken many forms, but they
have always piqued the public’s curiosity. The odd and
unusual has always found an audience: from the Victorian’s
cabinets of curiosities to the reality shows we all watch on
our televisions; from the dime museums which were the
predecessors of today’s modern museums. People have been
drawn to the excitement of the Midway. The rides, the
games, the entertainment: it’s all there. What you see has
come from all over the known world and even a few places
that no one has ever heard of before.
Carnivals and sideshows came to large and small communities
alike. They brought the exotic, the forbidden and the
strange; things that most people would have never had the
opportunity to see.
They provided community for the odd, the drifter, the
performer and the showman. When the show came to town, the
townies became the marks, the outsiders. It was a way to
make a living for a traveling community where everyone was
valued, where everyone watched out for each other. It was a
place where the whole group of people could work and make a
good living when most of the world had just discarded and
viewed them as out casts.
Today when most people think of a sideshow they think of the
great banner lines, with their larger than life images
brightly painted to draw the crowd’s attention. The
Strange, The Unusual, The Fire Eaters, The Electric Chair,
The Penguin Boy, The Mule Faced Woman, The Human Blockhead
and many, many others. On the midway we hear the voices
from the bally platform or loud speakers screaming out,
“It’s here. It’s now. It’s Alive. You can see it on the
inside right behind the canvas walls. Enter now into the
great top, which houses the performance and the human
abnormalities.”
Even though we are welcome on the midway, we are still
strangers to their world.
Throughout history, language has helped define who we are.
Every culture and group has a language that defines its
members. That’s true of the carnival sideshow industry.
It’s not a secret language to those that understand, but a
language that helps define their community. It is a
language that helps protect them from outsiders and if that
language is known, welcomes in those who are “With-it.”
As we walk down the midway with all its flashing lights, its
sounds and its smells, we travel a path that leads us closer
to their world. We never truly see it, for it lies just
beneath the surface. It’s in the ticket box. It’s behind
the counter of every joint. It’s in their back yard. Their
world is right in front of us, but we can’t see it, we don’t
understand it. It’s inside the canvas tops where the talker
stands tall out front on his bally platform giving his spiel
to draw us in a little closer; to turn the tip, to take the
dollar, but he never completely lets us into his world,
where we are not welcomed.
So step right this way. Come in a little closer. You’re
about to see the most amazing sights your eyes have ever
beheld. They will shock you. They will entertain you. You
will never forget what you are about to see. It’s alive on
the inside.
John Robinson
AKA Utah Showman
Sideshow World
www.sideshowworld.com
All stories are the property of
Sideshow World & their respective authors. Any republication in
part or in whole is strictly prohibited. For more information
please
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