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Japanese Glass - NINGYO



NINGYO
The Story of Japanese Mermaids, Part
1
Article below by- Brent
Swancer

Mermaids. The word conjures up images of magical half human, half fish beings
with beautiful maiden bodies atop elegant fish tails. These types of beings have
been common fixtures in much folklore, myth, and legend around the world.
Sailors from every corner of the Earth have long reported seeing and being
enchanted by these enigmatic creatures in the waters of the far flung corners of
the Earth.

As a
nation surrounded by the sea, it is perhaps no surprise that Japan too has its
own long tradition of mermaids. These creatures are known to the Japanese as ningyo ( 人魚),
literally “human fish,” as well as gyojin (魚人),
“fish human,” and hangyo-jin, (半魚人)or
“half-fish human.”

Stories of
fish-like humanoid beings have been reported around Japan for centuries. It is
said that the first recorded account of mermaids in Japan dates all the way back
to the year 619 during the reign of Empress Suiko, when one was allegedly
captured in Japanese waters and brought before the court of the Empress herself.

Physical
descriptions of Japanese mermaids vary, however they generally differ in
appearance from the typical image of the beautiful maiden torsos with fish tails
common to traditional European mermaid lore. Before the influence of foreign
lore somewhat changed the image of mermaids in Japan, the Japanese ningyo had
little in common with their Western counterparts.

Although they were
often described as having full heads of hair, the ningyo were typically depicted
as more bestial and grotesque looking than the European variety, with an
appearance more like a cross between a fish and a monkey than that of a
beautiful woman. Often the mermaids had barely human scaly arms ending in claws.
In many local traditions, these Japanese mermaids had no appendages, and were
often said to be just a humanoid head upon a fish body instead of possessing
full human torso. The heads were sometimes depicted as being horned, or
possessing prominent fangs. Some stories tell of a more relatively normal
looking human head, only attached directly to a full fish body. In some
traditions, the mermaids retained a form reminiscent of the more familiar
version of mermaids, but with a more demonic appearance or having distorted
features. Japanese mermaids were sometimes said to have alabaster white skin and
high, musical voices that sounded like a skylark or flute.
Many mystical
qualities were attributed to the mermaids of Japan. The ningyo were believed to
cry tears of pearl, and it was thought that eternal youth and beauty would be
imparted upon any human being who consumed a mermaid’s flesh. Many legends tell
of women eating the flesh of a ningyo and miraculously ceasing to age, or
reverting to a younger, more beautiful form. Like many Japanese folkloric
animals, merfolk were also said to have shape-shifting abilities. Mermaids
taking on the form of human beings or other creatures are often mentioned in
much folklore concerning the creatures. For instance, in the 1870s lighthouse
keepers at the Cape Nosaapu Lighthouse in northeast Hokkaido believed that
mermaids could turn into deadly jellyfish. These mermaids were thought to
masquerade as beautiful, kimono clad women on shore that would lure men into the
sea, upon which they would transform into giant jelly fish and kill anyone
foolish enough to have gone for a swim with them.
For many Japanese
in earlier eras, as in other parts of the world, mermaids were not figments of
the imagination or the stories of crazed fishermen, but rather a very real
feature of the ocean. Japanese fishermen were well acquainted with them, with
sightings being fairly commonplace. Throughout the 16th to 19th centuries, it
was not considered particularly unusual for fishermen to tell of seeing these
enigmatic beings swimming alongside their boats or attempting to steal fish from
their nets.
More relatively
modern accounts exist as well, such as a case in 1929, when a fisherman by the
name of Sukumo Kochi captured a fish-like creature in his net that had a human
face upon the head of a dog. The creature broke free of the net and escaped.
Western explorers
also gave accounts of seeing mermaids in Japanese waters. In 1610, a British
captain saw one such mermaid from a pier at the port of Sentojonzu. The creature
was cavorting in the water nearby and reportedly came quite close to the pier
where the bewildered captain stood. The mermaid was described as being the head
of a woman atop a body that was all fish, with a dorsal fin running down the
middle of the upper body. Sea traders from the west would make note of mermaids
in Japanese waters on many occasions in their logbooks.
Not only were
ningyo regularly sighted by various seafarers, but tales abound of them being
captured by fishermen all over the country, either by accident or by those
looking to gain the purported immortality bestowing meat. In the 1700s and 1800s
in particular, mermaids were often reportedly brought in by fishermen around
Japan. The captured mermaids in some cases were said to have the ability to
speak, and would try to trick their captors or talk the fishermen into releasing
them. Although many of these mermaids managed to break free, not all were so
lucky.

Among the Ningyo
successfully caught by fishermen, some were said to be exhibited in sideshows.
In 18th and 19th century Japan, sideshow carnivals known as misemono were
quite popular among the populace. These events were like festivals of sorts that
featured a wide range of attractions such as acrobatics, dance, fortune telling,
and arts and crafts. One very popular type of attraction were exhibitions of
strange natural phenomena. These were typically booths comprised of a “cabinet
of curiosities” type exhibitions showcasing bizarre animals, plants, and other
exotic wonders of nature from all over the world. These booths can be seen as
being in many ways similar to the circus sideshows of the U.S. and Europe,
attracting curious onlookers with their displays of the mysterious, strange, and
sometimes downright freakish.
One of the biggest
draws of the misemono sideshows was when mermaids were displayed. These
typically dead and preserved specimens drew in huge crowds of people clamoring
to get a glimpse of a real mermaid, and many of the exhibitors became wealthy
from such shows. Whether any of these specimens were in fact real mermaids or
not is not known for sure, but they certainly were quite real to those that saw
them. Most common people of the time already considered mermaids to be real, and
seeing one in front of their eyes only reaffirmed this notion.

The success and
popularity of the misemono sideshow mermaids increased the demand for such
attractions. A significant amount of money was changing hands, and some
enterprising fishermen consequently began to see an opportunity to make some
good extra money by crafting their own mermaid specimens. After all, why go out
and go through the trouble of catching a real mermaid when you could make your
own? Typically these fake mermaids were cobbled together from the upper torso of
monkeys and the lower bodies of fish, as well as all manner of parts such as
fur, skin, and membranes, joined in such a way as to avoid detection by the
naked eye. These fakes turned out to turn quite a profit, and the increasing
presence of more Westerners in Japan willing to pay exorbitant prices for these
specimens only increased the trade in fake mermaids.
With regards to
trying to discern any grain of truth behind these first mermaid exhibits, it is
unfortunate that the one thing Japan became known for concerning mermaids was
their ability to manufacture them. The Japanese, long known for mermaid
exhibitions in their own country, became renowned overseas for being master
craftsmen of fake mermaids, and there is much evidence to suggest the regular
manufacture of such curios.
It may sound as if
anyone who could be convinced by a such a monstrosity as a monkey sewn to a fish
must be extremely gullible, but that would be underestimating the skill and
ingenuity some Japanese displayed in these creations. At the time, many Japanese
fake mermaids were incredibly convincing to the majority of those who saw them,
and even some experts were confounded. An issue of The American Journal of
Science and Arts from 1863 describes the craftsmanship of these fake mermaids
thus-
"We should judge that the Japanese must have
considerable knowledge of the lower animals to be able to produce factitious
congeries, so nearly agreeing with nature and so well calculated as to deceive
even practiced naturalists.”
As their
popularity increased, Japanese mermaids began to pop up all over the place. A
typical description of a Japanese made mermaid is written of in the
book Curiosities of Natural History by Francis Trevelyan Buckland, in this
letter from 1866 from a correspondent of Land and Water.
“Captain Cuming,
R.N., of Braidwood Terrace, Plymouth, has returned from Yokohama, bringing with
him a great variety of curiosities. Amongst them is a mermaid. The head is that
of a small monkey, with prominent teeth; a little thin wool on the head and
upper parts; long attenuated arms and claws, below which the ribs show very
distinctly; beyond these latter the skin of a fish is so neatly joined that it
is hardly possible to detect where the fish begins and and the monkey leaves
off. The fish has large scales, spines on the back, a square tail, and appears
to be a species of chub. It is quite perfect except the head, which only seems
to have been removed to make the joint. Total length about sixteen inches; color
of monkey, dull slate; the fish, its natural colour; and the whole in excellent
preservation.”
It’s interesting
to note the praise given to the craftsmanship on display, a common sentiment
regarding the fake mermaids of Japan. Also noteworthy is the small size of the
specimen. Most Japanese made mermaids were far from human size, with most being
under three feet long.
Another well known
specimen was shown at the Oriental Warehouse of Farmer and Rogers in Paris that
was 25 inches long. It was described by one observer as follows:
“The lower half of
her body is made up of the skin and scales of a fish of the carp family, neatly
fastened to a wooden body. The upper part of the mermaid is in the attitude of a
sphinx, leaning upon its elbows and forearm. The arms are long and scraggy, and
the fingers attenuated and skeleton-like. The nails are formed of little bits of
ivory or bone. The head is about the size of a small orange, and the face has a
laughing expression of good nature and roguish simplicity. I cannot say much for
the expression of her ladyship’s mouth, which is a regular gape, like the
clown’s mouth at a pantomime: behind her lips we see a double row of teeth, one
rank being in advance of the other, like a regiment of volunteers drawn up in a
line. the hind teeth are conical, but the front ones project like diminutive
tusks. I am nearly certain as I can be that these are the teeth of a young
cat-fish- a hideous fish that one sometimes sees hanging up in the fishmonger’s
shops in London. Her ears are very pig-like, and certainly not elegant, and her
nose decidedly snub. The coiffeur is submarine, and undoubtedly not Parisian: it
would, in fact, be none the worse for a touch of brush and comb.”
The observer later
goes on to describe the following:
“At the back of
her head we see a series of nobs, which run down the back till they join with a
bristling row of 24 spines- evidently the spines of the dorsal fin of the carp
like fish. The ribs are exceedingly prominent.”
An issue of
the Saturday Magazine of June 4th, 1836 describes another such specimen that was
displayed in a glass case in London that had “the skin of the head and shoulders
of a monkey, which was attached to the dried skin of a fish of the salmon kind
with the head cut off, and the whole was stuffed and highly varnished, the
better to deceive the eye.”
Although this
particular mermaid was allegedly taken by a Dutch crew from a native Malacca
boat, it is likely that it was Japanese made due to the apparent quality of the
craftsmanship.
Many of these
faked mermaids were exceedingly clever and creative in their design, with the
artists using all manner of various animal parts and often taking great artistic
license with their creations. One specimen shown at Picadilly in London was
found to be made up of a fish tail, ape body, the jaws of a wolf fish, the skull
of an ape, and the fur of a fox. Some even had wings attached that were
apparently fashioned from those of bats. Again, the quality of construction was
so good as to require very careful examination and a keen eye to discover even
the vaguest signs of human tampering.

It was quite
common for Japanese mermaid specimens to be carried around in special wooden
boxes. One such box that contained a mermaid had an inscription in Japanese
claiming that the specimen had been captured and kept alive for two days before
dying, suggesting that live specimens were sometimes obtained and exhibited as
well. Indeed, as spectacular as the exhibitions of stuffed specimens were at the
time, there was even a case of a purported live Japanese mermaid put on display.
In 1825, a supposedly living mermaid from Japan was shown at Bartholemew’s Fair
in London. The attraction brought in droves of amazed, gawking onlookers who
could nt believe their eyes. The creature seemed truly spectacular until closer
inspection determined that the “mermaid” was in fact a woman with the skin of a
fish painstakingly, artfully, and no doubt uncomfortably, stitched to her skin.
Please stay tuned
for part 2 of this article, where we will continue to delve into yet more of the
past concerning Japanese mermaids, and have a look at perhaps the most famous
fake mermaid of all time.
Courtesy of
Cryptomundo.com
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