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CHANG the
Chinese Giant
Chang Woo Gow was eight feet tall and weighed an incredible 26 stone. A physical freak from the mysterious Orient, he was good box-office material for the showmen of Victoria's reign and he, along with other Chinamen (including a dwarf) gave exhibitions in all the large towns of England, travelling everywhere with their coffins.
Chang's health began to fail as he approached middled0age so he retired to Bournemouth where he hoped the air would be beneficial for his chest complaint. Here, he instantly became something of a celebrity, opening bazaars and fetes in his long colouful Chinese costume. It broke his heart when his wife died and he quickly followed her to the grave. Now he is forgotten and even the spot where he is buried has been obliterated.

ABOVE - the advertisement for Chang's "Bouremouth Observer" on 7 January 1893.
LEFT - the giant, Chang, as he appeared on the cover of the music "The Great Chang Polka" which was composed by Marquis Chisholm. |
NO MEMORIAL STONE stands at
the head of his grave. History
books on Bournemouth rarely mention
his name. His house has been
transformed into a hotel and his
neatly tended garden into an asphalt
car park.
Yet, in a shady corner of
Bournemouth's Central Cemetery in
Wimborne Road lies a man who was, in
his time, one of the town's most
colouful and well-known
personalities. He was Chang Woo Gow
- the Chinese Giant.
Chang was truly a giant among men.
Standing eight feet tall and
weighing 26 stone, he was an
imposing sight in his thick-soled
Chinese shoes, mandarin hat and
embroidered silk robes. Early in
1980 he came to retire in
Bournemouth at the age of 49, with
the threat of tuberculosis hanging
over him.
It was difficult to find a place
where Chang could live in comfort
and he finally bought a spacious
house in Southcote road which he
called "Moyuen". As many
modifications as possible were made
but even with the door lintels cut
away to the ceiling. Chang still had
to stoop to pass through. Several
pieces of out-size furniture were
specially made, including a massive
table that stood five feet from the
floor and dwarfed the rest of his
family.
Here at "Moyuen" he lived with his
Australian-born wife, the former
Miss Santley, whom he met and
married in Sydney, and their two
teen-age sons. The boys were both
of normal height, although Chang
himself had come from an unusually
tall family and had an elder brother
who was nearly seven feet tall and
his married sister stood six feet.
It became a happy home with the boys
settled at a private school in
Drummond Road and Chang, who soon
made a circle of friends, was a
gracious host to the many visitors
who crossed his threshold.
In his early days Chang had been the
toast of fashionable London. He
lived in an era when human
curiosities were not to be shunned
and whispered about behind the backs
of hands, but were something to
marvel at and even kings and queens
had been known to keep dwarfs for
their own amusement.
Chang reached the zenith of his fame
when he received the royal command
to be presented to the Prince and
Princess of Wales and at their
request he wrote his name in Chinese
characters on the wall of the lofty
room at a height of ten feet from
the floor.
When Chang first appeared in London
in 1865, after the long journey from
his home in Foochow, one of the
Treaty Ports of China, he was only
nineteen years old but even then he
was seven feet four inches tall.
Chang's services were greatly sought
after by entrepreneurs like the
renowned American, Phineas T.
Barnum, and he was quickly employed
and put on exhibition at the famous
Egyptian Hall in Piccadilly.
Originally built as a natural
history museum with a temple-like
facade that looked like a set for
the filming of "Cleopatra". it was
soon turned into a profitable venue
of popular entertainments.
The Victorians had a fascination for
people with strange customs and
"celestials" from the mysterious
Orient were ever popular. So Chang,
who was advertised at "The Magic
Giant". who had "created such an
Extraordinary Sensation at the Court
of the Emperor of China", was
displayed with the dwarf. Chung
Mow, and a dozen other Chinamen of
normal size, all of whom travelled
everywhere with their coffins.
As the public entered the exhibition
room, they would see Chang sitting
like a jade Buddha on his throne in
a pavilion that had been created to
look like a Chinese mansion. Clad
in elaborately decorated white satin
robes, with the dwarf at his feet
and guarded by exotically costumed
Chinamen, he was an awe-inspiring
sight.
When the hushed room was full, the
giant arose to the tinkle of bells
and the pianist struck up a
specially composed polka. Slowly
Chang descended to greet his
admiring audience who gasped with
astonishment at this great size.
With a beaming smile on his huge
face, he shook hands with those
nearest and his enormous, yet
gentle, fist enclosed many a dainty
hand. The music excitedly played on
until he "chin chinned" to his
audience several times and with a
flourish of gongs, majestically
returned to his throne and the
exhibition was over.
The season was very successful and
despite the high prices of
admission-one shilling, two
shillings and three shillings-Chang
performed for packed audiences four
times a day. He was a naturally
friendly person and he fretted when
his employers put restrictions on
his free time for he enjoyed waling
about the streets and watching the
world pass by. With his contract
concluded, he returned to his
homeland a rich young man, but his
generosity outweighed his
business-sense and his fortune
gradually dwindled.
Twelve years passed by before Chang
was attracted back to Europe again,
this time by the Paris Exhibition in
1878. The intelligent boy had now
become a mature man who could speak
several languages including English,
French, German and Spanish. With
his impeccable manners and cheerful
disposition, he was never short of
engagements and he travelled all
over the continent appearing in
Vienna, Berlin, St. Petersburg and
many other cities, before finally
returning to London in 1880.
During his long absence from England
he had incredibly frown another
eight inches and he appeared at the
Westminster Aquarium together with
the Norwegian giant, Henrik Berstad,
who was shorter and two stone
lighter.
Many people who had seen Chang on
his previous visit sixteen years
before could not resist the
temptation to see him again' and to
their amazement and delight, he had
developed such a good memory for
faces that he recognized many of
them.
As he approached middle age and his
health began to fail, Chang became
homesick and again returned to China
with his family but the peace he
longed for was not to be found
there. He had always had an
affection for England and before
long he was back once more and
decided to live in Bournemouth where
the air was beneficial for chest
complaints.
With the quieter life Chang's health
improved and he occasionally
travelled up to London for short
engagements to help the family
budget. Money was a constant source
of worry and one of his fund-raising
ideas was to sell his collection of
Chinese and Japanese curios. He
advertised his "Oriental Bazaar" in
the local papers but although a stir
of interest was created, it was not
a financial success.
Despite his monetary problems, Chang
enjoyed the ease of semi-retirement
and he was a much sought after
figure at many local public
functions. To have him open a
bazaar or attend a garden fete would
attract large crowds and he was a
colourful addition to the guests at
mayoral balls. One such occasion
was the reception for the Dorset
Yeomanry held on 7 June 1893 at the
flower-bedecked and flag-hung Mont
Dore Hotel which is now
Bournemouth's town hall.
Beautifully gowned ladies dripped
with sparkling diamonds, alderman
and councillors wore their rich
scarlet and purple gowns, there was
a sprinkling of splendid regimental
dress uniforms, and yet all eyes
turned to Chang when he arrived in
his Kingly Chinese costume.
After a life-time of being on the
move, Chang found that the urge to
travel could not be quenched, and he
was planning a trip to Paris when
his wife suddenly developed an
illness. Within a few weeks she
died and with her passing the will
to live went out of Chang. Whenever
he spoke of her his eyes would fill
with tears, a sight very moving and
unexpected in a man of such great
physical stature.
Four months later on 5 November
1893, this remarkable giant died of
a broken heart at the age of 52.
Before he died he called for his
closest friend who lived nearby, Mr.
W. J. Day, a well-known Bournemouth
photographer, who promised to take
care of the children. Chang signed
his will in Chinese characters and
English leaving everything he owned
to the boys, and holding Mr. Day's
hand, he passed away.
Chang and his wife had no relatives
in England to mourn their passing
except their own sons, but so many
friends attended Chang's funeral
that they over-flowed the chapel
despite the secrecy of the
arrangements to keep away curious
spectators. In a polished oak coffin
that must have been one of the
biggest ever made, measuring eight
feet four inches by two feet six
inches, and carried by eight
pall-bearers, he was laid to rest
beside his beloved wife.
The passing of the years has
obliterated even the grassy mound
over the spot where they both lie
and nothing remains to remind us
that Bournemoth was once his home.
By Anne Ruffell - Dorset
1976

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