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The Greek
by Laszlo
Kolozsy
The W.T.Collins Shows[i]
was the quietest midway I can
remember ever being on…
No diesel engines
roaring or music blaring…
Noiseless transformer
“pot trucks” with fold-down trees mounted on the roofs for the
linemen to drop the high lines to. Silent energy around the clock,
with all joints, rides, and shows, “cut in” to red wooden “apple
stick boxes”…
Standing by the front
gate you could hear the Sideshow bally on the back-end. Then the
Motordrome bally featuring the hard-tail Indians with the
megaphone exhaust, And the Freak animal show with the talker who
would grind all day…
Way down in the back
end, if a Bally wasn’t going on, you could easily hear the Bingo
caller up at the front telling ‘em “Look under B for four, that’s
B four, not B forty four, B four, and if you can’t keep up get out
of the game the next number is”…
Music on rides was uncommon in that
era. The Ginny at the head of the Midway had the Wurlitzer band
organ, but the currently popular top forty radio station format
had not yet become a part of the Carnival scene. It was during the
late sixties that Wally Baptist[ii]
introduced electronic sound to the Midway Showmen. It was the
early seventies before it really caught on…

Shows were plentiful.
Midway shows. Buy a ticket, see a show. A freak show, a geek show,
a girl show, a thrill show, a pit show…
SHOWS ! SHOWS ! SHOWS
! …
Live ballies to build
a tip, freeze ‘em in their tracks, lock ‘em in, make the pitch for
the wonders to behold, and then, turn the tip and turn the duke…
And a free act to
hold-em late. “ Welcome visitors to the Tulsa State Fair, and
as you visit the many attractions on the fairgrounds, don’t forget
to see Commander Stratosphere on the high sway pole. He risks his
life for your amusement tonight at nine so make plans to attend
this thrilling performance, you can see the apparatus stretching
high up into the sky from anywhere on the fairgrounds, and
the show is all free, so stay late for the unforgettable thrill of
a lifetime.” …
The proprietor of all
of this splendor was “The Greek”, William T. Collins…
Bill Collins was a
great Showman and he had assembled a spectacular Midway of rides,
games and shows for what was then the premier route of the
Midwest…
My dad had us
hopscotching from show to show in search of the short jump and the
long green. Looking for the short in and the long out…
We had just paid a visit to the
Royal[iii].
I remember how impressed I had been with the greatest carnival on
rails. A show so big it had a string of Eifel towers down the
center of the horseshoe lighting up the Midway like Wrigley Field…
I remember telling the Greek that
his Midway was dark by comparison and that he should get some of
those Zaccini[iv]
built towers like the Royal had…
He was way smarter
than I gave him credit for, and he said something I will remember
forever…
“Kid, don’t you ever
put nothing up on a midway that you can’t put an agent or a ticket
seller in front of ”…
[i]
Later to become the Murphy Bros.
Exposition
[ii]
Baptist Sound was an audio supply firm
from Springfield Illinois catering to Showmen
[iii]
Royal American Shows
[iv]
The famous family of human cannonballs
and ride builders
Photographs W. T.
Collins Shows 1965
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